...one test. [He says, finally, disappearing from the window.
Trading his robe for a heavy winter cloak, one with a collar he can pull up to cover his nose and mouth, he locks his study and makes his way down on foot. The devil that keeps at his side for now is unlike most of Isaac's works, in that its design prioritizes form over function. It has no horns, no jagged, bony plates, or teeth like a mouthful of broken glass. From the waist up, its shape is even unmistakeably human, sculpted with a poetic attention to detail, from eyelashes and fingernails to the bony knobs of its wrists and the tendons threading its long, lean arms. A tribute to the beauty of a man in his youth. Isaac has given it hair, curls that fall to the shoulder and skin that looks so soft it could bruise, white on white. On its head sits a delicate, equally pale antler crown not unlike a crown of thorns, that glitters with crystal shards.
It doesn't walk; not in the traditional sense. Below the navel, its body tapers sharply into a pillar of blood-red tendrils that flex and slither and help move it along, like prehensile ropes of gut.
Isaac didn't create it with the intent to fight with it so much as to test the level of complexity and detail he's able to incorporate at this stage - a worthwhile effort, even if he had nearly killed himself by way of overexertion. But he's content to let this mock-angel challenge Hector's beast and let Hector believe his focus is simply on his creatures' usefulness in battle and on aimless experimentation while he continues to work towards the ultimate goal of forging his own transport.]
This devil is meant to poison at the touch, although this has yet to be put to the test.
[It turns its head, regarding Hector with gentle indifference. It has Trevor's jaw and Hector's lips, but there's nothing of Isaac in its face or its smooth, scarless torso.]
no subject
...one test. [He says, finally, disappearing from the window.
Trading his robe for a heavy winter cloak, one with a collar he can pull up to cover his nose and mouth, he locks his study and makes his way down on foot. The devil that keeps at his side for now is unlike most of Isaac's works, in that its design prioritizes form over function. It has no horns, no jagged, bony plates, or teeth like a mouthful of broken glass. From the waist up, its shape is even unmistakeably human, sculpted with a poetic attention to detail, from eyelashes and fingernails to the bony knobs of its wrists and the tendons threading its long, lean arms. A tribute to the beauty of a man in his youth. Isaac has given it hair, curls that fall to the shoulder and skin that looks so soft it could bruise, white on white. On its head sits a delicate, equally pale antler crown not unlike a crown of thorns, that glitters with crystal shards.
It doesn't walk; not in the traditional sense. Below the navel, its body tapers sharply into a pillar of blood-red tendrils that flex and slither and help move it along, like prehensile ropes of gut.
Isaac didn't create it with the intent to fight with it so much as to test the level of complexity and detail he's able to incorporate at this stage - a worthwhile effort, even if he had nearly killed himself by way of overexertion. But he's content to let this mock-angel challenge Hector's beast and let Hector believe his focus is simply on his creatures' usefulness in battle and on aimless experimentation while he continues to work towards the ultimate goal of forging his own transport.]
This devil is meant to poison at the touch, although this has yet to be put to the test.
[It turns its head, regarding Hector with gentle indifference. It has Trevor's jaw and Hector's lips, but there's nothing of Isaac in its face or its smooth, scarless torso.]